I go on YouTube and I watch videos of live shows I done and you got kids arguing back and forth over what guitar I playing and they calling each other and back to this and that, he added. like, you both wrong. This stems from an argument over what guitar I playing, neither of you know, and now you calling each other horrible names? What are we doing? Hurry and the Harm picks up where Hell left off, further diversifying the sound of a project that began as stripped down, unvarnished folk.
After eight years of simultaneously pursuing two radically different musical ventures, he settled into his own rhythm and a new pace. And he confidently betting on himself.
remember a comment when Space and Time first came out of his songs sound the same, he recalls. I thought: That OK. That means they sound like me. I take it.
that really (messed) me up. That touring cycle for Hell, and sort of dealing with the aftermath of when the Alexis news broke, I got really, really like really, really depressed and into a pretty dark spot. took making Hurry and the Harm out Tuesday to help heal Green.
The theme emerges with the most clarity on Space and Time, on which he murmurs in his plaintive falsetto: is eating away at my brain/ There an elephant in the back of the room/ And it standing in plain view/ Everyone can see, that it looks just like me. if other songs on the album didn deal directly with his feelings over the split, they reflect his feeling of being pulled in two directions at once, and as a result much of the record feels unsettled and restless.
He decided to work quickly, wanting to figure out the new songs before re immersing himself in the Alexis headspace before their bittersweet victory lap. In Nashville and Toronto, he put together Hurry and the Harm and had a experience. After completing the Alexis tour, he was suddenly in a far more positive place than he had been in a long time.
That Green was blue had nothing to do with Hell, which he liked, but instead a heavy secret he been toting: the 32 year old had already decided to depart the beloved post hardcore band he helped to found more than a decade earlier, Alexisonfire, but news wouldn Orange Nike Air Max 90 reach the public until months later.
Hell, I knew I had left the band, he recalled during a recent interview at an east Toronto bar. was Nike Air Max 90 Womens Green
So naturally, as he toured his most popular record yet, he was miserable.
The shuffling meanwhile, deals in part with Green disdain for scorn slinging anonymous online pundits.
course, there always be people who wish I was still in Alexisonfire and there always be those people who wish City and Colour just sounded like the first record, he added. you can worry about that. focusing on only one project, Green seems to have a greater sense of self, musically speaking.
Now, with help from Nashville session musicians, he crafted something more eclectic, more akin to electrified Americana. And, sad as he is to leave the Alexisonfire chapter behind, he won mourn the idea that one band represented his loud side and the other his soft.
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there are a big group of songs that I could tell I was writing about wanting or looking for something else, he said. I was writing them while I was in Alexisonfire and doing City and Colour at the same time. And you know, not being able to find that, whatever that is that I looking for. And knowing that I needed to go off and focus on one at least to try to get closer to whatever that is. album isn completely dominated by Green ruminations on the breakup. The bluesy stomper which offers hints of the Black Keys was actually written for another artist from a Air Max 90 Winter Boot
more in defence of my wife, he says of Canadian TV personality Leah Miller. say the worst things about her. I could care less what you say about me, especially when it comes to music. There a lot of music I don like, so for me to put out a record and think that everyone going to like it would be very hypocritical.
I been striving for with the last couple records is that we can get rid of that whole two sides to Dallas Green argument, he said. know, like there this angry, loud, aggressive side with Alexisonfire and then there this soft, melancholic, contemplative side. To me, that just lazy journalism.
scorned point of view, and when that artist passed, Green was relieved to prop up the tune as his first single.
As he was wrapping up the Hell tour, he his relationship with the rest of Alexisonfire and they announced plans for a farewell jaunt. With a couple of months downtime, he realized he assembled a deep catalogue of new songs that he quite liked.
lying to all the public, right? I was making that record, I was doing interviews about it and everyone was asking what was going on with Alexis, and I was just like, just on a break, because this is still when I wasn able to talk about it because the guys were still trying to figure it out. So really, I didn make that record on my own. I made that record as two people, publicly anyways.
eight or nine years, I didn have anything to do, he said. had the record done and I finished and closed the book on the Alexis chapter. The first couple weeks of January are the first two weeks I ever relaxed, like literally relaxed, in eight or nine years. And it was a really big moment. It was like a proverbial weight off my shoulders. Hurry and the Harm occasionally brings him back to the period of tumult and unease that preceded his departure.
Dallas Green explores Alexisonfire breakup on new City and Colour album
like somebody to listen to a City and Colour song and say, sounds like Dallas. I don want them to listen to a song and say, that sounds like this or that or he trying to do this or that. I want it to sound like me.
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